![]() At that time computers mostly had pretty low fidelity sound cards, and generative music was a niche area (as is even the case now). Remember that? Back then we would hear people say "the Internet is only a fad", and "it will never take off". We also use terms like InMo Music, Reflective Music, Text-to-Music, Mindful Music etc.Īnyhow, let's take a quick journey, and go back in time. ![]() When it comes to Wotja, we increasingly use the term 'Ambient Generative Music' as we understand Wotja's generative capabilities are most often used to generate music of an ambient nature. These days 'Generative music' is really a catch-all term for lots of things and is sometimes also referred to as algorithmic music, stochastic music or aleatoric music. In 1995 whilst working with SSEYO Koan Pro (developed by us, the Cole Brothers), Brian Eno coined the term " Generative Music" to describe any music that is ever-different & changing, created by a system.īefore 1995 we had been referring to the output of SSEYO Koan as ' Koan Music', but 'Generative Music' is a more generic term and so we were happy about Eno choosing that to be used as a descriptor. Heads up: SSEYO Koan has now evolved into actively developed Wotja.
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